I strolled through the massive exhibition ‘Welt am Draht’ at Leipziger Strasse this weekend. This is a selection of video art from the massive Julia Stoschek Collection exhibited in the former Czech Cultural center.
Like everybody says the quality of video art in general is extremely inconsistent. That is true in this exhibit as well. There are a bunch of works where it is not at all obvious why somebody finished it, somebody approved it and somebody paid money for it.
The works that were most interesting in this exhibition consistently were not the video ones but those created with a game engine. That may be my own novelty bias at work, but a fully digital workflow like that allows: 1. more and faster iteration 2. fully dynamic products, the combination of which leads to totally new kinds of things that can be produced.
I forget what this was, but despite the concept being more or less ridiculous it has a compelling internal consistency.
RMB City by Cao Fei is a rich and spectacular playground of randomness.
I can’t really argue with any of Ed Atkins’s work which stands out for the pure skill of the renderings combined with spoken word that is not trite (so rare).
Ian Cheng’s Emissary Forks at Perfection is an ongoing collage of elements in a dynamic simulation that looks like an edgy version of the large scale installations Theo Watson makes.