I can’t believe I have to say this, but let’s do it anyway: Going to Mars is—just like the hyperloop—a distraction from the actual problems and solutions in front of us.
I’ve been waiting for an updated edition of “Designing Data-Intensive Applications” and now I see that Kleppmann is working on it. Reading the first edition has given me such an outsized advantage when architecting and building systems.
Cancelled Apple Arcade because I haven’t seen a nice game enter the set in months now.
I was somewhat excited to watch this anime series. It’s only 12 episodes for its first season so it was over pretty quickly.
It was fun and well done but too short to be satisfying or really have an impact. I may need to skip unfinished anime adaptations1 entirely given there’s so much old catalog I could be watching instead. Also now I understand how people get into reading the manga’s while they wait for the adaptations to catch up.
The Kaiju No 8 story is—how could it be any different with such a name—a standard monster beat ’em up. The characters are a bunch of young kids. Things escalate steadily with increasingly powerful and shadowy monsters attacking them. The suits and the group dynamics are somewhat reminiscent of Attack on Titan. As a standard shonen monster beat ’em up anime, it’s fine.
It’s just that there’s nothing in the story that sets it apart, there are no deeper themes that are explored, no interesting motivations, no moral or emotional payoffs worth talking about and no standout characters with staying power. I don’t think I’ll remember much about this show six months from now.
Jujutsu Kaisen
I couldn’t help but compare it to JJK which knocks every one of those dimensions out of the park. I never got around to writing a proper review for its S2 other than this:
The long awaited Hidden Inventory and Shibuya Incident arcs turned into a treat to watch despite the continuously escalating power levels and its sprawling cast of characters and villains. —2023 year in review
S2 was such a phase shift for JJK moving from low stakes happy go-lucky teen show to massively hard bouts of apocalyptic fighting and loss (Nanami…). So many of the characters (“My Brother!”) in JJK have depth and huge fan popularity (Panda-kun, the guy who speaks in Onigiri). Just go on TikTok and see all the Shibuya incident foreshadowing, the Satoru Gojo montages and the number of ships that are doing the rounds.
I have currently open: Jujutsu Kaisen, Spy x Family and Frieren. [↩]
Wer täglich, manchmal mehrmals die Stunde, die Verdammten belächelt, ist wohl zu Recht in der Hölle. Twitter, so mussten wir uns eingestehen, war der Ort, den wir bewohnten, weil wir sehr schlechte Menschen waren.
Utterly utterly savage feuilleton about Twitter as a medium for poetry.
Wanted to show the kids some chiaroscuro for their art class about light and dark tomorrow and ran through some of the all time greats from Caravaggio. They were particularly impressed by Holofernes being beheaded.
Always stunning to see how good these paintings are and a bit sad for how long it’s been since I saw one for real. But Sanssouci has the picture of Doubting Thomas so that can be fixed.
Coates and Stewart have a warm and powerful conversation around a number of topics but mostly about Israel/Palestine.
For a relatively complete and concise rundown of how insane Germany is at the moment, this conversation with journalist James Jackson is highly recommended. Things are really spiralling into pure madness here and it seems likely that that will be the new normal.
Of course it takes a Dutch guy, an outsider, to blow the lid off Germany’s Nazi Bilionaires. David de Jong is doing great work and the German establishment tries to bury that as much as possible (because they know which side their bread is buttered on).