YouTube hatchet job on the CDU

A collective of the largest German YouTubers have just before the European elections launched a campaign against the CDU and it’s a joy to see.

The CDU which is usually fully ignorant when it comes to digital issues has taken this broadside seriously. That by itself was a huge mistake. Most serious institutions would and should brush off something coming from new media.

Whether this will have an effect is hugely unclear. The core CDU audience is disconnected and apathetic but they do get a lot of votes from other segments as well and there they could be slightly vulnerable. In any case, the series of fumbles that the CDU has embarked upon while trying to address this has only served to give the boycott movement wings.

What’s interesting about the YouTubers is that they break with the German institutional consensus which is white, male and old. That group of people has a certain set of opinions and interests which has made sure that Germany has become increasingly backward. The YouTubers are young, (judging by their names and handles) diverse and not all male. And most importantly they have reach and fewer entrenched interests.

https://www.tagesspiegel.de/politik/neues-video-von-rezo-mehr-als-70-youtube-stars-rufen-zum-boykott-von-cdu-und-spd-auf/24379566.html?fbclid=IwAR2jbOBkIBldbxKy6HN45qqt9N8CotfCYP-4h1mBosolneeTcknxFxgTjCY

“Everyone else, money manager big or small, met with him virtually, over Zoom. When Yuan flew to New York for the IPO, it was just his eighth work trip in five years.”

Zoom is the real deal and the story behind its success is immensely inspiring.

https://www.forbes.com/sites/alexkonrad/2019/04/19/zoom-zoom-zoom-the-exclusive-inside-story-of-the-new-billionaire-behind-techs-hottest-ipo/#4e292eaa4af1

Dutch Public Broadcasting Goes Fake News

Geert Wilders, leader of the PVV —the far right Dutch Freedom Party— had his campaign start today for the upcoming parliamentary elections in Spijkenisse, one of his traditional strongholds.

The eight o’clock news of the NOS (the Netherlands’ state broadcaster) opened with this and their reporter Michiel Breedveld on the scene in the video below said it had attracted ‘an unbelievable crowd of people’.

Other reporters who were on the scene today (1, 2) said the number of people Wilders had attracted was somewhere between 80 to 200 and that the ratio of supporters and press was about 1:1.

Salima Bouchtaoui: ‘Spijkenisse this Saturday morning. Lots of press. And lots of police. Few people.’

Haro Kraak: ‘There were at most 150 supporters of the PVV, probably fewer. And at least as much press, probably more.’

There seems to have been so much press that this was what it looked like most of the time.

This incident is oddly reminiscent of Trump’s inauguration where the actual number of people present was much lower than was claimed by the administration.

But the crucial difference is that Trump was the liar. Wilders could spread the lie that his campaign start ‘had the most people ever’ but why should he if the state broadcaster does it for him?

Update: Dutch newspaper the Volkskrant (a newspaper I’ve given some grief before) calls the NOS’s coverage bad and harmful.

Update: De NOS have posted a rectification on their single page hard to link they use for this.

It’s not the opening of the evening news, but it will have to do. Notably they say they have used ‘wrong words’ to describe the event and they still put the number of supporters at several hundred.

Books and movies of 2016

Like every year the books I read and the movies I watched. Recommended ones are in bold.

Books

The book situation was shameful but instead of reading a lot of books, I wrote “Designing Conversational Interfaces”, so I’ll call that even.

  • “PACE: A Small Business Owner’s Guide to Complete Cash Flow Clarity” Jesse Mecham
  • “Agile Game Development with Scrum” by Keith Clinton
  • “Americanah” by Chimamanda Ngozi Adichie
  • “The $1 Prototype: A Modern Approach to Mobile UX Design and Rapid Innovation” by Greg Nudelman
  • “Slouching Towards Bethlehem” by Joan Didion
  • “The iPhone App Design Manual: Create Perfect Designs for Effortless Coding and App Store Success”
  • “Mobile Web Designer’s Idea Book: The Ultimate Guide to Trends, Themes and Styles in Mobile Web Design”
  • “Factotum” by Charles Bukowski
  • “Mobile Design Pattern Gallery: UI Patterns for Smartphone Apps”
  • “Master and Margarita” by Mikhail Bulgakov
  • “Science, Strategy and War: The Strategic Theory of John Boyd” by Frans Osinga
  • “So Good They Can’t Ignore You: Why Skills Trump Passion in the Quest for Work You Love” by Cal Newport
  • “Green Mars” by Kim Stanley Robinson
  • “The Dictator’s Handbook: Why Bad Behavior is Almost Always Good Politics” by Bruce Bueno de Mesquita

Movies

This went a lot better with 72 if you count the individual installments of the Decalogue.

  • Inside Out
  • Princes Mononoke
  • Kingsman
  • Dekalog IV
  • District 9
  • The Passion of Joan of Arc
  • Edge of Tomorrow
  • Persona
  • Her
  • Dekalog V
  • Into the Wild
  • 2001: A Space Odyssey
  • Star Wars: The Force Awakens
  • Code Inconnu
  • The Hateful Eight in 70mm Roadshow at Zoo Palast
  • X-Men: Days of Future Past
  • Relatos Salvajes
  • Dekalog VI
  • Cave of Forgotten Dreams
  • Sicario
  • Neon Genesis Evangelion: The End of Evangelion
  • Knock Knock
  • Dogville
  • Tropa de Elite
  • Prelude to Axanar
  • Fast & Furious 6
  • Addicted to Sheep
  • Paths of Glory
  • Spirited Away
  • Decalogue VII
  • Fast Five
  • The Martian
  • Django Unchained
  • Annie Hall
  • Dekalog VIII
  • Sympathy for Mr. Vengeance
  • The Assassin
  • Amy
  • Toy Story 3
  • Whiplash
  • Dekalog IX
  • Lammbock
  • A Scanner Darkly
  • Pusher
  • Like Father Like Son
  • Ex Machina
  • The Revenant
  • Burn After Reading
  • Dekalog X
  • Pusher II
  • RoboCop by José Padilha
  • Johnny Mnemonic
  • Der siebente Kontinent
  • The Wolf of Wall Street
  • Spectre
  • Easy Rider
  • Dredd
  • Show Me A Hero
  • Pusher III
  • Wild Strawberries
  • Star Trek Beyond
  • Wall Street
  • Jodorowsky’s Dune
  • The Wind Rises
  • Aeon Flux
  • Copie Conforme
  • Stalker by Andrei Tarkovsky
  • The Neon Demon
  • The Wailing
  • İklimler
  • World War Z
  • Thor
  • The Physician

Welt am Draht

I strolled through the massive exhibition ‘Welt am Draht’ at Leipziger Strasse this weekend. This is a selection of video art from the massive Julia Stoschek Collection exhibited in the former Czech Cultural center.

Like everybody says the quality of video art in general is extremely inconsistent. That is true in this exhibit as well. There are a bunch of works where it is not at all obvious why somebody finished it, somebody approved it and somebody paid money for it.

The works that were most interesting in this exhibition consistently were not the video ones but those created with a game engine. That may be my own novelty bias at work, but a fully digital workflow like that allows: 1. more and faster iteration 2. fully dynamic products, the combination of which leads to totally new kinds of things that can be produced.

Some examples:

I forget what this was, but despite the concept being more or less ridiculous it has a compelling internal consistency.

RMB City by Cao Fei is a rich and spectacular playground of randomness.

I can’t really argue with any of Ed Atkins’s work which stands out for the pure skill of the renderings combined with spoken word that is not trite (so rare).

Ian Cheng’s Emissary Forks at Perfection is an ongoing collage of elements in a dynamic simulation that looks like an edgy version of the large scale installations Theo Watson makes.