The character relations turned into a bit of a tangle so I fired up Miro and quickly charted them out. In the end it wasn’t that complicated but the worlds of Meryem and Peri are very clearly separate.
There are lots of movies where a cast of characters roams a town and occasionally intersects in a couple of dramatic moments. What comes to mind for me most immediately is Amores Perros. Of course a Netflix serial doesn’t hit the cinematic height or dramatic depth of that movie despite having more runtime to play with. What it does manage is to set a mood for the weird tangled up modern Turkey.
The most interesting and dramatic events in Bir Başkadır happen on the road (Mesude’s death under the bridge, the family dance off on the way to the village). Along with some of the commuting sequences and the continuous questions of what bus stops where and how to get somewhere in time, that is an essential part of Istanbul. The city is so vast and spread out that people are always underway, an apt metaphor for character development—interrupted or otherwise—if ever there was one.
A strong hint about the real future of virtual reality and a callback to the MUD era which I had a lot of trouble understanding. Seeing it on Tiktok makes it a lot more tangible in a bunch of ways.
The Netherlands is going to get Anand-pilled this Sunday.
“The privilege I have – how? No, genuinely, how?”
Well, I say, in terms of wealth, class, education – that kind of privilege, in knowing how to decode the rules in certain spaces. As a caveat, I add that both of us have privilege, and it’s not a criticism; I was simply curious to know what she thought. Things take an awkward turn.
“Well no, because, no… ” There is a very long and tense pause, before she insists that, actually, there is little difference between her experience and that of her co-star John Boyega, who grew up in south London to British Nigerian immigrant parents. “John grew up on a council estate in Peckham and I think me and him are similar enough that… no… Also, I went to a boarding school for performing arts, which was different.”
The men issue of Contrapoints is mostly correct as always.
Ende Gelände is the radical environmentalist movement against climate change and here they are blocking a strip mine.
Protesting is a core German competence. There is deep institutional knowledge of how and why to do this. At the drop of a hat and with a lot of organizing infrastructure, it is possible to get thousands of people to join something like this.
A collective of the largest German YouTubers have just before the European elections launched a campaign against the CDU and it’s a joy to see.
The CDU which is usually fully ignorant when it comes to digital issues has taken this broadside seriously. That by itself was a huge mistake. Most serious institutions would and should brush off something coming from new media.
Whether this will have an effect is hugely unclear. The core CDU audience is disconnected and apathetic but they do get a lot of votes from other segments as well and there they could be slightly vulnerable. In any case, the series of fumbles that the CDU has embarked upon while trying to address this has only served to give the boycott movement wings.
What’s interesting about the YouTubers is that they break with the German institutional consensus which is white, male and old. That group of people has a certain set of opinions and interests which has made sure that Germany has become increasingly backward. The YouTubers are young, (judging by their names and handles) diverse and not all male. And most importantly they have reach and fewer entrenched interests.
Even given that this is an amazing job description, you don’t often see companies describing themselves as a ‘socio-technical system’. This is a great way to show off both your care and your depth of thinking.