I was supposed to see this play six years ago. Let’s say better late than never. Seen Wednesday, March 20th at the Maxim Gorki Theater.
It starts off very chaotically with everybody shouting. It is very hard to understand what anybody says. This gets better later on but I still had to peek at the surtitles regularly. I guess I’ve been spoiled by Dutch theaters where they strap microphones to their actors.
The premise is clever and the scene surprisingly light-weight. What follows is a bit too drawn out. The physical acting does not impress and you can only threaten to shoot somebody so many times before you actually have to shoot them. If you don’t, things get a bit dull.
The play itself is badly dated and the various debates have far moved on mostly to become irrelevant. The bits of Schiller that they play have held up much better over the past two centuries than Verrücktes Blut has over the past decade. Schiller also lets the actors in this play show their skills.
There is some Islam-criticism that is supposed to be edgy but misses the point. Additionally, we hit the obligatory ethno-clichés, many of which made me laugh during the wrong moments. Neither manages to be actually cutting. The social engagement on display is there for entertainment only.
The troubles with the kids in the play have only worsened and a new generation is now forced to make their rounds through Germany’s broken school system. Nothing about the systemic reasons behind the problems the kids are facing is even mentioned in the play. The situation is unfixable and there is nothing to be done other than ‘acting dumb’.
The actors can’t help the fact that this theater will have to play their break-out hit until the end of days. Especially if it keeps on filling the house. But at some point, it might be good to call the curtains.
Nice to see a talk by my colleague Alicia and grand-boss Dror featured in the local IT news.
I didn’t think I’d live to hear one, but WIDI is a German language podcast (by Igor and a different Johannes) about technology that adds a unique perspective and a more systemic approach to the mix. If they manage to keep it niche, this will be a must listen for a German language audience.
Einspruch is solely focused on legal issues which is what I listened to Lage mostly anyway. In Lage I had to skip the regurgitation of international issues for a German audience (much better covered elsewhere), the explanation of very basic facts (like where Venezuela is located) and the incessant mansplaining. After a while not that much was left.
A well written defense by Markthalle IX in Berlin that sounds good but still paints a much more rosy picture of reality than is justified. Let’s be totally clear: removing the ALDI will advance the area’s socio-economic cleansing.
I thought I had come up with the clever portmanteau “komplischwierig”, a combination of “kompliziert” (complicated) and “schwierig” (difficult). Unfortunately a quick Google search showed eight prior results where people have used the word.
The other German neologism I thought I could claim was “Fleischglück” but of course I’m not the first person to come up with that either.