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Only God Forgives

·193 words

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After a rather hectic week and day last Friday I went to see Only God Forgives in Central cinema 1. The movie is rather excellent if you like extreme violence or Ryan Gosling or both.

The stylized violence and disjunct story telling reminded me remotely of This Is How You Will Disappear. Probably not because any real visual similarity but because I am anxious for somebody in theater to produce something that good and ballsy again. And as this Guardian critic says, the Asian setting and lighting are reminiscent of Noé’s Enter the Void which I would recommend if you can stomach it.

But the violence and the characters in essence are Shakespearian and ‘Only God Forgives’ is how you actually should do a modern day Shakespeare adaptation. The movie is a post-modern mix of Macbeth and King Lear without a hint of slavish following. I lost count of how many bloodless—in all meanings of the word— Shakespeares I have seen on the stage. With this movie Winding Refn has also just schooled all theatre directors.


  1. Which honestly is a bit of a dump, but it was the best option given the circumstances. ↩︎

Alper Cugun
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Alper Cugun

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V. in Ballhaus Ost

·363 words
I swore to myself never to go to the theater again 1 which took a lot of the pressure off. But yesterday I did go to see V. in Ballhaus Ost. The posters hanging around town piqued my interest that a group in Berlin would stage a text by Thomas Pynchon. And if anyone should break my rules, it should be me.